Horror is a genre of fiction which is intended to, or has the capacity to frighten, scare, disgust, or startle their readers or viewers by inducing feelings of horror. From what we understand, “Sony’s Marvel Universe” will be a set of movies starring Spider-Man villains, like Venom and the in-development Black Cat and Silver Sable. Collection of 2 minute monologues for men and women. Lights Out (A short horror film). Published on Mar 1. Made by David Sandberg and Lotta Losten. Watch Movies Now! 838,974 views. From Babadook to Busan, Patrick Stewart to Pan's Labyrinth, just what are Rotten Tomatoes' highest-rated horror films of the 21st century? Memorable Horror Movies by Non- Horror Directors! When it comes to horror, there are a number of talented filmmakers that call the genre home. There’s a developed instinct to bristle at an outsider’s new association with horror, stemming from decades of horror being overlooked. At least not without the crutch of comedy. Yet his new film Get Out is currently sitting at a whopping 1. Rotten Tomatoes based on 7. The truth is, as with all genre of film, fresh perspectives are important. Horror is full of amazing films that happened to be directed by filmmakers that stepped outside of their comfort zone for once, and here are 1. The Exorcist. The seminal possession film to end all possession films is a no- brainer for any horror list with “memorable” in the title, right? Someone with more experience, or film school training, perhaps? Science Fiction Films: Books in the UC Berkeley Library. Horror Films are unsettling films designed to frighten and panic, cause dread and alarm, and to invoke our hidden worst fears, often in a terrifying, shocking finale. The Underworld movies offer something supremely enticing to horror fans, namely the chance to see vampires and werewolves at war with one another. It took a while for him to come to terms that it’s considered as such. Yet the realism that he brought from his work on documentaries made Regan’s plight all the more believable. The white faced demon seen throughout the film, though first in Father Karras’ dream sequence, was an outtake from makeup tests. Friedkin was inspired by subliminal editing in a Holocaust documentary and included it last- minute. When most other directors would have taken an artistic or cutaway approach to Regan’s possession, Friedkin remained unflinching in its examination. His stark, honest direction combined with the innovative special effects firmly landed his film into horror, even if he doesn’t think so. The Omen. Director Richard Donner is known for his popular action films, but his break- through film was actually one of the best horror films ever made. He had screenwriter David Seltzer remove all supernatural elements, like witches and demons, making it a request that nothing happen in the script that couldn’t happen in real life. It turned out to be a mutual feeling, as Rob Reiner had wanted to make a Stephen King movie after watching The Shining. It’s a terrifying, hallucinatory trip of paranoia with a lot of depth, bringing the audience to the brink of madness alongside Tim Robbin’s Jacob. Influenced by the art of William Blake, Francis Bacon, and H. R. Giger, Lyne wanted more human- like, yet bizarre images for the film’s demons, overriding the original screenplay’s more biblical descriptions of them. Lyne fought hard to retain both his vision and the screenplay’s integrity; Paramount dropped the project when he wouldn’t change the ending. Yet, despite audiences’ initial rejection of the film, Ravenous has long since developed a rabid cult following. Both Boyle and Garland developed the idea further, forgoing the traditional idea that zombies ate brains, and altered the foundation of their zombie mythology to be more reflective of modern times. Yet it wasn’t just the viral nature of his zombies that made this film memorable, but his frenetic camera work, characters you actually empathized with, and the even scarier villain in the form of humanity. The Host. Before directing the highest grossing South Korean genre film thus far, Bong Joon- ho had only tested his horror mettle in short format. Drawing inspiration from an actual event in which the U. S. The director sees it more of a kidnapping movie than a horror film, but this genre- bender is a worthy horror entry nonetheless. Let the Right One In. This antithesis to American young adult vampire romances, Tomas Alfredson’s adaptation of John Ajvide Lindqvist’s novel blends its romance with equal parts horror and tragedy. The story centers around 1. The word “vampire” is only mentioned once in the film. Alfredson may not have a deep affinity for horror or vampires, but by narrowing in on the heart wrenching nature of loneliness and bullying, he created a memorably stunning tale of vampiric friendship. His film not only spawned an American remake that followed almost immediately, but an American stage play as well. Creep. Known more for his comedic work in film and television, Mark Duplass developed the story for this found footage terror based on a series of conversations with director and co- star Patrick Brice. The complete improvisation of the film not only gives them film a sense of genuineness, but the awkward nature of certain scenes certainly makes the film live up to its title. Both of whom seemed to have fallen into the horror aspect of this film, soon to become a trilogy. Lucky for us, it was a happy accident that proved the found footage sub- genre still has some life left.
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